I cut and paste Frames, papers, memories, and dreams.
I come from the mystical mountains of Quindío, where echoes of the past hide in the whispers of guaduales.
My cinema is born from those echoes—fragments of memory, rural voices, and images that linger long after they’re gone. I use collage, poetry, family archives, and surreal imagery to explore the emotional logic of memory—one that often escapes realism, but never truth.
My cinema is born from those echoes—fragments of memory, rural voices, and images that linger long after they’re gone. I use collage, poetry, family archives, and surreal imagery to explore the emotional logic of memory—one that often escapes realism, but never truth.
For me, filmmaking is not just a craft; it’s a ritual of healing. A space where silence speaks and the invisible becomes visible. My approach is intuitive and emotional, shaped by a formal education in Film and a Master’s degree in Arts. I move between directing and editing, always in search of shaping feelings.
My short films and music videos walk the line between the intimate and the mystical. I’ve edited award-winning films like Malicia (2024), and directed music videos for Colombian bands such as Volcán, Vinilo Pintao’,
and Pirineos en Llamas, where I experiment with mixed media, analog textures, and audiovisual collage.
and Pirineos en Llamas, where I experiment with mixed media, analog textures, and audiovisual collage.
I’m an associate of La Montaña Cine, a Colombian production company where I imagine, direct, and edit. We are currently developing my first feature film, One Summer Swallows—a story about the threads that connect us through the surreal corridors of memory.